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Robert Hague, Artworks

Christina (after Wyeth), 18/25

A$1,500.00

ROBERT HAGUE
Christina (after Wyeth), 18/25, 2022

colour state (red), hand-coloured lithograph on cotton rag paper, edition of 25, unframed
70 x 70 cm
$1500

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Telling the Bees (after Troedel), Miniature series, 19/50

Telling the Bees (after Troedel), Miniature series, 19/50

A$250.00
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Fuck You Brick vase (Riot Brick series), 20/100

A$550.00
Natives on the River (after Glover), 12/15, colour state

Natives on the River (after Glover), 12/15, colour state

A$2,500.00
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Fuck You Brick vase (Riot Brick series), 14/100

A$550.00
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Not My King Brick vase (Riot Brick series), 2/100

A$550.00

Additional Info

Christina (after Wyeth)

The start point for this composition is the iconic painting Christina's World (Andrew Wyeth, 1948), which "depicts a young woman... lying in a grassy field... Her silhouette is tense, almost frozen, giving the impression that she is fixed to the ground. She stares at a distant farmhouse... ancient and greyed in harmony with the dry grass and overcast sky (MOMA catalogue).

I have imagined Christina's inner self, joyfully skipping across the scene (Skipping Vinegar Girl, 1936), the farmhouse now instead the Abbotsford Convent (mysteriously wrapped by the acclaimed artists Christo & Jeanne-Claude). Christina's leap of joy is a symbolic step into the new, reborn.

The scene is framed by a huge hollow tree.

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